This Tarzan isn’t quite the jungle VIP – but it’s got a little swing. But at least the animals are memorable – best of all is a pack of scene-stopping silverback gorillas digitally created for the movie. Skarsgård himself is fairly bland as Greystoke, delivering a po-faced Byronic spin on the character, all velvet coats and dreamy romantic stares at his belle while sitting barefooted in the boughs of trees. Physics of musculature between man and ape preclude just about anyone from every besitng a silver-back gorilla. The most lively performances come from Christoph Waltz, preening and over-cooked as a colonial villain (an envoy of the Belgian King Leopold) and Samuel L Jackson as George Washington Williams, a real-life critic of Belgian imperialism in the Congo, who is awkwardly shoe-horned into this movie’s comic-book plot.
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It gives Tarzan’s other half Jane (Margot Robbie) the voice of a twentieth-century feminist – not exactly credible but very welcome – and pays some attention to the exploitation of indigenous peoples and the pilfering of natural resources. There’s some gubbins about the King Of Belgium importing a huge army that will enslave half of the Congo, but the movie itself is, by and large, a very slow chase movie, as Tarzan tracks down.
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Still, it might leave you scratching your head with a few questions of your own, like: where does Greystoke buy his shaving razors in the wilds? And, more importantly, which jungle gym does he visit to work on those freakishly sculpted and very twenty-first-century abs? (Not that fans of Skarsgård will worry too much about that.)ĭirected by ‘Harry Potter’ stalwart David Yates, this ‘Tarzan’ tries hard to be more than a creaky adventure story. The film plays as an old-school historical action-adventure, with lots of animal attacks and jungle chases and plenty of distracting flashbacks to answer questions about Tarzan’s complicated backstory. It’s the 1880s and Greystoke is back in the African Congo as a trade emissary for the British government and facing down colonial skullduggery. It imagines Viscount Greystoke (Alexander Skarsgård), best known as chest-beater Tarzan, all grown-up and civilised after a childhood in the jungle raised by apes. This high-energy, big-budget new spin on the old Tarzan story is fun to watch if you take it as throwaway kitsch.